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浙江大学艺术与考古研究（第五辑）
定价：258.00
Bronze Ritual VesselsImitating Ceramics in the Zhou Period: Modes and Intentions Alain Thote école Pratique des Hautes études 董其昌《煙江叠嶂圖》兩個版本及高清圖片影響下的真偽鑒别 李慧聞 独立学者 由並生到分離——十八世紀上半葉廣東珐琅與彩瓷之生產關係 尹翠琪 香港中文大學 清代廣東金屬胎畫珐琅產銷的幾個階段——兼及廣珐琅之斷代 許曉東 香港中文大學
Hsueh-man Shen. AuthenticReplicas: Buddhist Art in Medieval China. Honolulu: University of Hawai‘iPress, 2019. James A. Benn McMasterUniversity
Joy Lidu Yi. Yungang:Art, History, Archaeology, Liturgy. London and New York: Routledge, Taylor andFrancis Group, 2018. Nancy ShatzmanSteinhardt University of Pennsylvania
Xue Lei. Eulogy forBurying a Crane and the Art of Chinese Calligraphy. Seattle: University ofWashington Press, 2019. Peter C. Sturman University of California, Santa Barbara
Justin M. Jacobs. TheCompensations of Plunder: How China Lost Its Treasures. Chicago: Universityof Chicago Press, 2020. Shareen BlairBrysac Independent Scholar
Peng Peng. Metalworkingin Bronze Age China: The Lost-Wax Process. New York: Cambria Press, 2020. Chen Beichen Capital Normal University, Beijing
Stephen H. Whiteman. WhereDragon Veins Meet: The Kangxi Emperor and His Estate at Rehe. Seattle:University of Washington Press, 2020. Nancy Shatzman Steinhardt University of Pennsylvania
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