书籍资料库
石语梵行 |《犍陀罗艺术：风格分析的方法和初步研究结果》
The young Siddhārtha Gautama going to school, relief from Marjanai; Peshawar, University Museum (MJN-1983-1-87). (Photo: after Drachenfels & Luczanits 2008: no. 152; P. Oszvald © KAH Bonn and Peshawar University Museum.)
本文解决在过去和现在的犍陀罗艺术研究项目中遇到的一些方法论难题，第一项目是我关于佛教石雕的图像和形式变化的论述，为了考证在考古背景下发现的一些作品，该项目研究试图对构成通常被称为犍陀罗艺术的许多雕塑语言进行广泛但不详尽的描述。第二个项目是开发一个数据库，收集保存在 Chakdara 迪尔博物馆的石头和灰泥中的佛教图像（DiGA：Gandhāran Artefacts 的数字化）以及管理相关元数据的技术工具。
The return to Kapilavastu; relief from Marjanai. Peshawar, University Museum (MJN-1983-1-86).(Photo: after Drachenfels & Luczanits 2008: no. 150; P. Oszvald © KAH Bonn andPeshawar University Museum.)
The Buddha’s obsequies, relief from Sanghao, Lahore Museum (1111).(Photo: after Foucher 1905-1951: I, fig. 285.)
The Buddha’s obsequies; relief from Butkara I. Saidu Sharif, Swat Museum (B2549 and B7136). (Photo: after Faccenna 1962: II.2, pl. CCLXXXVIIIb. Courtesy of ISMEO – Italian Archaeological Mission in Pakistan.)
The Mahāparinirvāṇa; relief from Butkara I. Saidu Sharif, Swat Museum (B3591). (Photo: after Faccenna 1962: II.2, pl. CCLXXXVIIIa. Courtesy of ISMEO – Italian Archaeological Mission in Pakistan.)
Donor; statue from Butkara I. Saidu Sharif, Swat Museum (B2598). (Photo: after Faccenna 1962: I.3, pl. CDXXX. Courtesy of ISMEO – Italian Archaeological Mission in Pakistan.)
Donor; statue from Butkara I. Rome, Museo Nazionale d’Arte Orientale (539). (Photo: after Faccenna 2001: pl. XCIIIa. Courtesy of ISMEO – Italian Archaeological Mission in Pakistan.)
Dancer; relief from Butkara I. Saidu Sharif, Swat Museum (B5938). (Photo: after Drachenfels & Luczanits 2008: no. 185; P. Oszvald © KAH Bonn and Swat Museum, Saidu Sharif.)
©Jessie Pons
~~ 结束 ~~
电子版
分享朋友圈，集30赞
截图发送至后台申请，有效期7天
为进一步联络文献，但如果没有任何形式的传播相关知识，将在知识传播中传播。开放是一种传播知识的方法，而且还可以促进知识的传播。并公布价值：公开而有巨大的教育价值。★★本号个人资料，分享50个公有领域论文资源和公开共享电子资源，公开分享资料