遗产数据库
查斯玛依·约伯冢Chasma-iAyubKhazira
摘要: UZ-09 Chasma-iAyubKhaziraThe mausoleum ChashmaAyub reflects the dynamics of Central Asian architecture. First as a mutual succession of religious values, representing the cult of Ayub and his story that is known in early Christian and Jewish sources as Jo
查斯玛依·约伯冢(Chasma-i Ayub Zhazira),公元13 世纪;
恰什玛·阿尤布陵墓体现了中亚建筑的动态。首先，它体现了宗教价值观的相互传承，代表了阿尤布的崇拜及其在早期基督教和犹太教文献中被称为“约夫（约伯）”的故事。其次，它是11世纪卡拉汉王朝统治至15世纪中叶这一时期陵墓和建筑装饰艺术的代表性类型。当时，它是一种独特的陵墓形式，其他哈扎拉陵墓均无此类入口。陵墓以雕刻的单色陶土为装饰，并涂以金黄色赭石，这种装饰在蒙古帝国前时期（12-13世纪）极为罕见。绿松石釉的点缀是色彩和标记运用的首批实例之一。它反映了陶瓷技术的重要进步，这一技术在后来的整个丝绸之路走廊上变得流行。
UZ-09 Chasma-iAyubKhaziraThe mausoleum ChashmaAyub reflects the dynamics of Central Asian architecture. First as a mutual succession of religious values, representing the cult of Ayub and his story that is known in early Christian and Jewish sources as Jove (Job). Second, it was a representative type of mausoleum and architectural decorative art of the period from the reign of the Karakhanids in the 11thcentury until the middle of the 15thcentury. At that time, it was a unique form of mausoleum and no other khazira had such a portal. The significant original décor of carved monochrome terracotta tinted with golden ocher is very unique for pre-Mongolian times (the 12th-13th centuries). The accents of turquoise glaze are one of the first examples of employment of color and mark. It reflects an important step in the ceramics technology that, in later times, became prevalent along the entire Silk Roads corridor.